Janna Malamud Smith



Works

An Absorbing Errand: How Artists and Craftsmen Make Their Way to Mastery
“’One pleasure of art making is its resolute inefficiency.’ This is an insight in a book bursting with insights, and recognizing its truth may help writers stop regretting the hours that a single sentence requires. Making art often requires ruthlessness, too; and the remembrance of and reenactment of shame (the chapter on Charlie Chaplin is one of the best in the book); and the avoiding of friends and even family. Janna Smith both warns and reassures us as she explores these difficult truths with compassion and wit.” —Edith Pearlman

My Father is a Book: A Memoir of Bernard Malamud
"Candid yet sensitive, this memoir by clinical social worker Smith exquisitely captures "the particular psychic pleasure and confusion" of being the daughter of novelist/short-story writer Bernard Malamud... the portrait here reveals mutual affection and commitment...Above all, Smith enhances our understanding of how the larger themes of Malamud's fiction mirror his concern with imperfect people balancing moral responsibility against the desire to transcend pitiless circumstance. The author amply demonstrates that she has inherited her father's unblinking moral scrutiny and sympathy for the yearning heart." - Kirkus Reviews

Private Matters: In Defense of the Personal Life
(Hardcover: Addison Wesley, 1997: Updated Paperback: Seal Press, 2003)

A New York Times “Notable Book” for 1997. Private Matters explores privacy, particularly as it affects human freedom, dignity and creativity. Various chapters look at privacy and the press, privacy and the presidency, privacy and sexuality, privacy and psychotherapy. The paperback addition features a new chapter on privacy post - 9/11.



A Potent Spell: Mother Love and the Power of Fear
(Houghton Mifflin, 2003; paperback, Mariner, 2004)

A New York Times “Summer Book” for 2003. "A fervent examination of the powerful, visceral anxiety of mothers for their children's lives and welfare, and of its exploitation by experts and authorities."
--New York Times Book Review



Selected Works

Non-fiction
"[A] comprehensive, insightful, and articulate guide for everyone who has ever attempted to make art." --San Francisco Chronicle
"Beautiful...A must for anyone interested in the work of Bernard Malamud, or the writer's life..." Mary Gordon
“a gorgeously written anecdotal cultural history of the emergence and the fragile sanctity of the modern creative self…”
-The New York Times Book Review
“reads like a deep, intelligent conversation with a valued woman friend.”
--Ottawa Citizen
"Fascinating. . . provocative."
--Washington Post